首页社会精品鉴赏——傅抱石山水画

精品鉴赏——傅抱石山水画

来源：生活好品牌时间：2020年11月24日 17:50

原标题：精品鉴赏——傅抱石山水画

傅抱石早年立下了“读万卷书，行万里路”的夙愿，一生潜心研究中国画的传统理论与技法，善于借鉴和吸收世界各国绘画艺术之长，用中国特有的水墨画形式挥写大自然生命的律动，描绘人物的精神气韵，融会进他爱家乡、爱祖国、爱中华文化的浓烈的情感。从三四十年代于巴山蜀水间创作的《潇潇暮雨》、《大涤草堂图》，以及忧国忧民的人物画《屈原》、《二湘图》、《丽人行》等傅抱石一生创作中国画 3000 余幅，并曾与郭沫若、徐悲鸿、陈之佛等书画艺术名流举办联展。徐悲鸿评价傅抱石全新的山水画使“三百年来谨小慎微之山水突现其侏儒之态”。张大千称他开创了中国人物画千年未有之新画风。

傅抱石绘画特点：

傅抱石用笔的最大笔性特征是他的散锋笔法。傅氏散锋笔法来自传统与其特有个性的有机结合，来自其深厚的学识和对传统独到而理性的认识。“乱头粗服，不能成自恬静的氛围，而谨严精细则非放纵的笔墨所可达成，二者相和，适得其中。”在傅抱石那乱头粗服的散锋笔法中有着极其严格的法度。这种法度正是他“打破笔墨约束的第一法门”后才产生的。

千百年来气韵生动一直是评判中国画优劣的重要标准。因此，它也是鉴定者水准优劣的试金石。傅抱石的真迹就有这种气韵生动的强烈感受，而伪作绝无这种感受。另外，对于作品的纸张、用墨、用色、用印、印泥、印色、印文、落款、款识内容，以及是否有作旧的痕迹等等都必须引起充分的重视。这些对准确鉴定傅氏作品都极有裨益。一件作品流传有序，考证明确，有时甚至其他都可不考便可断定其真迹无疑，而且还可以作为日后鉴定的“参照物”。

崇尚艺术革新：

傅抱石是20世纪中国传统美术现代化转型的代表人物、闻名中外的国画大师、“新山水画”的代表画家。傅抱石和齐白石曾被郭沫若称作画坛上的“南北二石”，可见其当时的艺术地位。

傅抱石对于写生的重要性作了这样精辟的论述：“只有深入生活，才能够有助于理解传统，从而正确的继承传统;也只有深入生活，才能够创造性地发展传统。”艺术来源于生活，又高于生活，他说：“一幅出色成功的山水画，绝不是一张地形写生图。而应该是既要赋自然以生动的形象，又要赋自然以丰富的内容。”傅抱石吸纳了前人所强调的“意在笔先”，认为画的意境是画家精神领域的开拓，是从最深的“心源”与“造化”接触时，逐渐产生的一种领悟，再以笔墨的形式表现出来，微妙地把作者感受传达给观者。

傅抱石书画市场价值分析：

“中国名家书画精品拍卖会”在汉落槌。此次共有300幅名家字画上拍，一幅傅抱石的山水人物作品以700万元夺魁，刷新了今年以来武汉艺术品拍卖市场成交价之最。与以往不同的是，此次拍卖会吸引了近百位当代知名画家亲邮作品来汉试水。

成交记录：

傅抱石金刚坡时期作品《巴山夜雨》1848万元成交。

傅抱石金刚坡时期的作品《杜甫诗意图》6002万港元成交。

傅抱石《风雨归舟》，立轴，估价：600—900万港币。最终1500万港币落槌。

《松亭观瀑图》以港币123.6万元成交。

2011秋季拍卖会其中代表傅抱石鼎盛时期绘画作品的山水六开册页成为书画拍卖的一个重头戏，从500万元起拍，最后成交价达5300万元，创出傅抱石书画近期价格新高。据广州隆盛国际相关人士分析,傅抱石字画会越来越受到收藏和投资者的追捧，其经济价值极高。

英文翻译：

In his early years, Fu Baoshi made the long-cherished wish of "reading thousands of books and traveling thousands of miles". He devoted his entire life to studying the traditional theories and techniques of Chinese painting. He was good at drawing lessons from and absorbing the best of painting art from all over the world, and used Chinese unique ink painting to write about nature. The rhythm of life, depicting the spirit of the character, blends into his strong emotion of loving his hometown, loving the motherland, and loving Chinese culture. From the "Xiaoxiao Evening Rain" and "Dadi Thatched Cottage" created in the 1930s and 1940s in Bashan and Shushui, as well as the figure paintings "Qu Yuan", "Two Xiang Pictures", "Lie Ren Xing", etc. There are more than 3,000 pieces, and he has held joint exhibitions with celebrities such as Guo Moruo, Xu Beihong, Chen Zhifo, etc. Xu Beihong commented that Fu Baoshi's new landscape paintings have made "the landscape that has been cautious over the past 300 years suddenly appear as a dwarf". Zhang Daqian claimed that he created a new style of Chinese figure painting that has not been seen in a thousand years. 　　Fu Baoshi painting characteristics: 　　 The biggest feature of Fu Baoshi's pen is his Sanfeng style. Fu's Sanfeng style comes from the organic combination of tradition and its unique personality, from its profound knowledge and unique and rational understanding of tradition. "The chaotic and coarse clothes cannot be made into a quiet atmosphere, and the rigor and fineness cannot be achieved by the indulgence of pen and ink. The two are in harmony, and it is good." There is extreme in Fu Baoshi's chaotic and rude brushwork. Strict laws. This method was created after he "breaked the first method of pen and ink constraints." 　　 For thousands of years, vivid charm has been an important criterion for judging the quality of Chinese painting. Therefore, it is also the touchstone of the quality of the appraiser. Fu Baoshi's original works have such a strong feeling of vividness and vividness, but there is no such feeling in fake works. In addition, full attention must be paid to the paper, ink, color, printing, ink pad, printing color, printing, signature, identification of the content, and whether there are old traces of the work. These are extremely helpful for the accurate identification of Fu's works. A piece of work is spread in an orderly manner, and the textual research is clear, and sometimes even other works can be determined without examination. It can also be used as a "reference" for future identification. 　　 advocates artistic innovation: 　　 Fu Baoshi is a representative of the modern transformation of Chinese traditional art in the 20th century, a well-known master of Chinese painting at home and abroad, and a representative painter of "New Landscape Painting". Fu Baoshi and Qi Baishi were once referred to by Guo Moruo as the "two rocks in the north and south" in the painting world, showing their artistic status at that time. Fu Baoshi made such an incisive exposition on the importance of sketching: "Only by going deep into life, can we understand tradition and inherit it correctly; and only by going deep into life can we develop tradition creatively." Art comes from life. , And higher than life, he said: "An outstanding and successful landscape painting is by no means a topographical sketch. It should endow nature with a vivid image and rich content." Fu Baoshi absorbed In addition to the predecessor’s emphasis on "intentional pen first", he believes that the artistic conception of painting is the development of the artist’s spiritual realm. It is a kind of insight that gradually arises from the deepest "heart source" and "good luck" contact, and then use pen and ink. The form is expressed, subtly conveying the author's feelings to the viewer. 　　Fu Baoshi painting and calligraphy market value analysis: 　　 "Chinese Famous Paintings and Calligraphy Fine Art Auction" fell in Han Dynasty. A total of 300 famous calligraphy and paintings were auctioned this time, and one of Fu Baoshi's landscape figures won the first prize for 7 million yuan, breaking the highest transaction price in the Wuhan art auction market this year. Different from the past, this auction attracted nearly a hundred famous contemporary painters to come to Han to test the water. Transaction Record: 　　 Fu Baoshi Jingangpo period work "Bashan Night Rain" sold for 18.48 million yuan. 　　 Fu Baoshi Jingangpo's work "The Intention of Du Fu's Poems" was sold for HK$60.02 million. 　　 Fu Baoshi, Returning from the Wind and Rain, vertical scroll, estimated value: 6-9 million Hong Kong dollars. In the end, 15 million Hong Kong dollars fell. 　　 "Pine Pavilion Watching Waterfall" was sold for HK$1.236 million. 　　 In the 2011 Autumn Auction, the six-open album of landscapes, representing Fu Baoshi's heyday, became a highlight of the calligraphy and painting auction. The auction started from 5 million yuan and the final transaction price reached 53 million yuan, setting a new high in the recent price of Fu Baoshi's paintings and calligraphy. According to the analysis of relevant personnel in Guangzhou Longsheng International, Fu Baoshi's calligraphy and painting will become more and more sought after by collectors and investors, and its economic value is extremely high.

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