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【精品推荐】大明成化年制鸡缸杯黑青版

来源:生活好品牌 时间:2021年03月31日 11:32

原标题:【精品推荐】大明成化年制鸡缸杯黑青版

成化斗彩鸡缸杯,杯敞口微撇,口下渐敛,平底,卧足。杯体小巧,轮廓线柔韧,直中隐曲,曲中显直,呈现出端庄婉丽、清雅隽秀的风韵。杯外壁饰子母鸡两群,间以湖石、月季与幽兰,一派初春景象。足底边一周无釉。底心青花双方栏内楷书“大明成化年制”双行六字款。

Chenghua bucket color chicken cup, the cup open slightly skimmed, gradually collected under the mouth, flat bottom, lying foot. The cup body is small, the contour line is flexible, straight hidden song, straight song, showing a dignified graceful, elegant and meaningful charm. The outer wall of the cup is decorated with two groups of hens, among which there are lake rocks, Chinese rose and orchid, showing a scene of early spring. The sole of the foot is unglazed. At the bottom of the heart blue and white column in regular script "Da Ming Chenghua year" double lines of six words.

此鸡缸杯以新颖的造型、清新可人的装饰、精致的工艺而历受赞赏,堪称明成化斗彩器之典型。其胎质洁白细腻,薄轻透体,白釉柔和莹润,表里如一。

This chicken cup is appreciated for its novel shape, fresh and pleasing decoration and delicate craft. It can be called a typical bucket color device of Ming Cheng Hua. Its fetal quality is delicate and white, thin and light through the body, and the white glaze is soft and shiny, like inside and outside.

杯壁饰图与型体相配,疏朗而浑然有致。画面设色有釉下青花及釉上鲜红、叶绿、水绿、鹅黄、姜黄、黑等彩,运用了填彩、覆彩、染彩、点彩等技法,以青花勾线并平染湖石,以鲜红覆花朵,水绿覆叶片,鹅黄、姜黄填涂小鸡,又以红彩点鸡冠和羽翅,绿彩染坡地。施彩于浓淡之间,素雅、鲜丽兼而有之,收五代画师黄荃花鸟画的敷色之妙。整个画面神采奕奕,尽写生之趣。

Cup wall act the role of figure and model body are suitable, shulang and have one's own effect. The color of the picture includes underglaze blue and white and overglaze bright red, leaf green, water green, goose yellow, turmeric, black and other colors. Techniques such as color filling, coloring, dyeing and dot coloring are used. The blue and white lines are drawn and the lake stones are dyed, the flowers are covered with bright red, the leaves are covered with water green, goose yellow and turmeric are filled with chickens, and the comb and wings are dotted with red color, and the slope is dyed with green color. The color is applied between shades, simple and elegant, bright and beautiful, and the painting of flowers and birds by Huang Quan of the Five Dynasties is wonderful. The whole picture is in high spirits, all the interest of sketching.

此鸡缸杯 黑青版民间留存非常稀少,黑青就是青料;青料主要出现在洪武年间,洪武青花不同于典型的至正青花的背翠艳丽,也不同于典型永乐、宣德青花的浓艳色译而有自己的特点。明代永乐、宣德青花多采用进口苏麻离青料烧制,色彩浓艳的背花纹饰泛出点点银黑色结晶斑。这种青料比国产青料铁的含量丰富,锰含量低。事实证明,青花料若不罩在釉下烧出后则为黑色,近似唐代时耀州窑白地黑色的作品;如果罩在釉下烧制,成品则为灰蓝色。明洪武青花瓷的色泽偏于暗黑,其实是人们刻意追求的,反映了当时的意识形态与审美取向”。

This chicken cup black green version of the folk retained very rare, black green is green material; Green materials mainly appeared in the Hongwu period, Hongwu blue and white is different from the typical Zhizheng blue and white back gorgeous, also different from the typical Yongle, Xuande blue and white rich color translation and has its own characteristics. The Ming Dynasty Yongle, Xuande blue and white use imported Su Ma from the green material firing, colorful back flowers decorated with a little silver black crystal spots. This green material is rich in iron and low in manganese than domestic green material. Facts have proved that the blue and white material will be black if it is not covered under the glaze, which is similar to the black works of Yaozhou Kiln in the Tang Dynasty. If fired under the glaze, the finished product is grey-blue. The color of Hongwu blue and white porcelain in Ming Dynasty tends to be dark, which is actually deliberately pursued by people and reflects the ideology and aesthetic orientation at that time.

明太祖朱元璋是一个对瓷器有广泛兴趣的皇帝,洪武二年即在景德镇设立了御窑厂,他把瓷器看作中国国粹。在御窑厂创立后马上对流行于元青花上的常规图案予以大刀阔斧的修改,诸如牡丹、菊花以及蕉叶、回纹等图案纹饰较元代变化很多,从而使洪武青花在装饰图案上截然有别于元青花。以明太祖为代表的中原统治者灭元夺天下之初便提出了“同讨夷狄,以安中国”、“驱逐胡虏,恢复中华”等主张。建御窑厂,树本朝纹饰其宗旨就是要“破”元青花,“立”明青花。而一改元青花湛蓝的颜色,让其发黑发灰与立明青花这一方略是一脉相承的。

Zhu Yuanzhang, Emperor Taizu of the Ming Dynasty, was an emperor with extensive interest in porcelain. In the second year of Hongwu, he set up an imperial kiln in Jingdezhen. He regarded porcelain as the quintessence of China. Immediately after the establishment of the Imperial kiln factory, the conventional patterns popular in the blue and white of the Yuan Dynasty were greatly modified, such as peony, chrysanthemum, banana leaf, grain and other patterns changed a lot compared with the Yuan Dynasty, so that Hongwu blue and white in the decorative patterns are distinct from the blue and white of the Yuan Dynasty. The rulers of Central Plains represented by Emperor Taizu of the Ming Dynasty put forward the proposition of "attacking Yidi together to secure China" and "expelling Hurupi and restoring China" when they destroyed Yuan and captured the world. Build royal kiln factory, tree this dynasty decoration its purpose is to "break" yuan blue and white, "stand" Ming blue and white. And a change in blue and white blue color, so that its hair black hair gray and Li Ming blue and white this strategy is in the same line.

青料发黑,可让画面更像一幅传统的中国水墨画,使瓷器更具有中国画的笔墨韵味。洪武御窑厂奉命烧造的官窑器,是以青花是否“偏于暗黑”为质量标准的。也正是因为料色呈黑色或灰色的青花瓷色深得明太祖朱元璋的宠爱,才会深藏于故宫内,由皇家代代相传。

The green material is black, which can make the picture more like a traditional Chinese ink painting, and make the porcelain more with the ink charm of Chinese painting. Hongwu Royal Kiln Factory was ordered to burn the official kiln, is blue and white whether "to the dark" for the quality standard. It is precisely because the blue and white porcelain with black or gray color was favored by Zhu Yuanzhang, Emperor Taizu of the Ming Dynasty, that it was hidden in the Imperial Palace and passed down from generation to generation by the royal family.

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